An Approach to the Modernist Tradition: Zrinko Ogresta’s “Washed Out” and its Polish Literary Source
DOI:
https://doi.org/10.31261/PLS.2023.13.08Keywords:
modernism, adaptation, Marek Hłasko, Eighth Day of the Week, Zrinko Ogresta, Washed OutAbstract
Among many contacts and similarities between Croatian and Polish cinematic and literary modernism, it is quite interesting to note that Zrinko Ogresta adapted the writings of Marek Hłasko in his feature film Washed Out (Isprani). The comparison of Ogresta’s film to the literary source, The Eighth Day of the Week (Ósmy dzień
tygodnia), before any extensive discussions of wider context, should ascertain the answer to a more elementary question — how close is the story of Ogresta’s film to its Polish literary inspiration?
References
Antonioni, Michelangelo, director. Blow Up. M-G-M, Premier, Carlo Ponti, 1966, 1 hr., 51 min.
Antonioni, Michelangelo, director. Zabriskie Point. M-G-M, 1970, 1hr., 52 min., https://www.youtube.com/watch?v=kg5Lo7YiFY8.
Babaja, Ante, director. Ogledalo (The Mirror). Jadran film, 1955, 15 min.
Bauer, Branko, director. Martin u oblacima (Martin in the Clouds). Jadran film, 1961, 1hr., 34 min., https://www.youtube.com/watch?v=NmATCSr2GiU.
Berković, Zvonimir, director. Moj stan (My flat). Zagreb film, 1962, 14 min., https://www.youtube.com/watch?v=gCHhDgAa480.
Brešan, Vinko, director. Koja je ovo država! (What a country!). Interfilm, Zilion, Orka film, 2018, 1hr., 57 min.
Crnković, Gordana P. Post-Yugoslav Literature and Film: Fires, Foundations, Flourishes. London, New York: Continuum, 2012.
Cvitanović, Adrian. “Bilješka o piscu.” In Hłasko, Marek. Lijepi dvadesetogodišnjaci, 221—24. Zagreb: Hrvatsko filološko društvo, Disput, 2012.
Czerwiński, Maciej, and Damir Agičić, eds. Poljsko-hrvatske veze kroz stoljeća. Povijest, kultura, književnost. Zagreb: Srednja Europa, 2018.
Ford, Aleksander, director. Ósmy dzień tygodnia (The Eighth Day of the Week). Studio, CCC film, 1958., https://www.cda.pl/video/953558144.
Garwood, Ian. “Lay-bys and lullabies: the role of rock music in Wim Wenders’ road movies.” In Lost Highways: An Illustrated History of Road Movies, edited by Jack Sargeant and Stephanie Watson, 231—240. London: Creation Books, 2000.
Godard, Jean-Luc, director. Sympathy for the Devil. Cupid, 1968, 1 hr., 50 min. https://www.youtube.com/watch?v=niBfe-Pb7bI.
Gvozdanović, Ana, and Petar Kovačić. “Devedesete s odgođenim djelovanjem: jačanje tradicionalističkih vrijednosti među mladima u Hrvatskoj.” In Devedesete - kratki rezovi, edited by Orlanda Obad and Petar Bagarić, 203—235. Zagreb: Institut za etnologiju i folkloristiku, Jesenski i Turk, 2020.
Hłasko, Marek. Osmi dan u tjednu. Translated by Marija Krukovska. Zagreb: Zora, 1960.
Holjevac Tuković, Ana, and Robert Holjevac. “The role of The Holy See and Pope John Paul II in the international recognition of the Republic of Croatia,” Bogoslovska smotra, vol. 89, no. 1 (2019): 57—84.
Jakovina, Tvrtko. “Sloboda u raspadu. Nesvrstana, samoupravna; nestabilna i slaba SFRJ: od smrti Tita do uspona Miloševića.” In Osamdesete! Slatka dekadencija postmoderne, edited by Branko Kostelnik and Feđa Vukić, 13—33. Zagreb: Hrvatsko društvo likovnih umjetnika, Društvo za istraživanje popularne kulture, 2015.
Jelača, Dijana, Maša Kolanović, and Danijela Lugarić, eds. The Cultural Life of Capitalism in Yugoslavia. New York, London: Palgrave Macmillan, 2017.
Kragić, Bruno, and Nikica Gilić, eds. Filmski leksikon. Zagreb: Leksikografski zavod Miroslav Krleža, 2003.
Kurosawa, Akira, director. Kumonosu-jō (Throne of Blood). Toho, 1957, 1hr. 51 min. https://mubi.com/films/throne-of-blood.
Lacko Vidulić, Stjepan. “Književno polje SFRJ-a: podsjetnik na tranziciju dugog trajanja.” In Tranzicija i kulturno pamćenje, edited by Virna Karlić, Sanja Šakić and Dušan Marinković, 27—43. Zagreb: Srednja Europa, 2017.
Levi, Pavle. Raspad Jugoslavije na filmu: estetika i ideologija u jugoslovenskom i postjugoslovenskom filmu. Beograd: Biblioteka XX vek, Knjižara Krug, 2009.
“Lordan Zafranović”, accessed December 9, 2022, http://www.lordanzafranovic.com/hrv_filmografija.html.
Małczak, Leszek. Croatica. Literatura i kultura chorwacka w Polsce w latach 1944—1989. Katowice: Wydawnictwo Uniwersytetu Śląskiego, 2013.
Małczak, Leszek. Od ideološkoga do subverzivnoga prijevoda. Zagreb: Alfa, 2019.
Ogresta, Zrinko, director. Krhotine - Kronika jednog nestajanja (Fragments: Chronicle of a Vanishing 1991). Jadran film, HRT, 1hr. 42 min., 1991.
Ogresta, Zrinko, director. Isprani (Washed Out). Jadran film, 1995., 1hr. 36 min., https://www.dailymotion.com/video/x6mwyyg, https://www.youtube.com/watch?v=_pHg5ZEGPv0.
Pawlikowski, Paweł, director. Zimna wojna (Cold War). Opus Film, Polish Film Institute, MK2 Films, 2018., 1hr. 28 min.
Pentić Vukašinović, Višnja, “Moj stan — Veliki san, mali stan,” Dokumentarninet, 2017, accessed December 8, 2022, https://www.dokumentarni.net/2017/09/04/moj-stan-veliki-san-mali-stan/.
Peterlić, Ante, and Tomislav Pušek, eds. Ante Babaja. Zagreb: Nakladni zavod Gloubus, 2002.
Polański, Roman, director. Dwaj ludzie z szafą (Two Men and a Wardrobe). Państwowa Wyższa Szkoła Filmowa, 1958., 15 min., https://www.youtube.com/watch?v=X8g3fqchasU.
Polański, Roman, director. China Town. Long Road Productions, 1974., 2hr., 11 min.
Radić, Damir. “Filmovi Ante Babaje.” Hrvatski filmski ljetopis, vol. 6, no. 21 (2000): 37—48.
Rafaelić, Daniel, 2003, “Isprani.” In Filmski leksikon, edited by Bruno Kragić and Nikica Gilić. Zagreb: Leksikografski zavod Miroslav Krleža, http://film.lzmk.hr/clanak.aspx?id=703.
Šakić, Tomislav. Modernizam u hrvatskom igranom filmu. Nacrt tipologije. Zagreb: Disput, 2016.
Šakić, Tomislav, 2011, “Zrinko Ogresta: Fragments: Chronicle of a Vanishing” (Krhotine Kronika jednog nestajanja, 1991); Washed Out (Isprani, 1995); Red Dust (Crvena prašina, 1999); Here (Tu, 2003); Behind the Glass (Iza stakla, 2008). Kinokultura, accessed January 25, 2023, http://www.kinokultura.com/specials/11/R-ogresta.shtml.
Štulić, Branimir. “Poljska u mom srcu.” Pjevaj, accessed December 3, 2022, https://www.pjevaj.com/tekst-pjesme/poljska-u-mome-srcu/.
Štulić, Branimir, Poljska u mom srcu, video, Facebook March 4 2022, https://www.facebook.com/watch/?v=316893530309580.
TV kalendar, 2016 - 20. 06. 2016., video, accessed December 10, https://www.youtube.com/watch?v=m1RA-eDjmrE.
Zafranović, Lordan, director. Pad italije (The Fall of Italy). Jadran film, Centar film, 1981., 1hr. 54 min.
Sibirska ledi Magbet (Siberian Lady Macbeth / Powiatowa lady Makbet). Altura films, Avala film, 1962., 1hr. 34 min., https://www.dailymotion.com/video/x21y4ie.
Wajda, Andrzej, director. Gates to paradise. Avala film, Sam Waynberg, 1968., 1 hr. 29 min.
Welles, Orson, director. Macbeth. Mercury productions, Republic, 1948., 1hr. 48 min., https://vimeo.com/536537743.
Downloads
Published
How to Cite
Issue
Section
License
The Copyright Owners of the submitted texts grant the Reader the right to use the pdf documents under the provisions of the Creative Commons 4.0 International License: Attribution-Share-Alike (CC BY-SA). The user can copy and redistribute the material in any medium or format and remix, transform, and build upon the material for any purpose.
1. License
The University of Silesia Press provides immediate open access to journal’s content under the Creative Commons BY-SA 4.0 license (http://creativecommons.org/licenses/by-sa/4.0/). Authors who publish with this journal retain all copyrights and agree to the terms of the above-mentioned CC BY-SA 4.0 license.
2. Author’s Warranties
The author warrants that the article is original, written by stated author/s, has not been published before, contains no unlawful statements, does not infringe the rights of others, is subject to copyright that is vested exclusively in the author and free of any third party rights, and that any necessary written permissions to quote from other sources have been obtained by the author/s.
If the article contains illustrative material (drawings, photos, graphs, maps), the author declares that the said works are of his authorship, they do not infringe the rights of the third party (including personal rights, i.a. the authorization to reproduce physical likeness) and the author holds exclusive proprietary copyrights. The author publishes the above works as part of the article under the licence "Creative Commons Attribution-ShareAlike 4.0 International".
ATTENTION! When the legal situation of the illustrative material has not been determined and the necessary consent has not been granted by the proprietary copyrights holders, the submitted material will not be accepted for editorial process. At the same time the author takes full responsibility for providing false data (this also regards covering the costs incurred by the University of Silesia Press and financial claims of the third party).
3. User Rights
Under the CC BY-SA 4.0 license, the users are free to share (copy, distribute and transmit the contribution) and adapt (remix, transform, and build upon the material) the article for any purpose, provided they attribute the contribution in the manner specified by the author or licensor.
4. Co-Authorship
If the article was prepared jointly with other authors, the signatory of this form warrants that he/she has been authorized by all co-authors to sign this agreement on their behalf, and agrees to inform his/her co-authors of the terms of this agreement.
I hereby declare that in the event of withdrawal of the text from the publishing process or submitting it to another publisher without agreement from the editorial office, I agree to cover all costs incurred by the University of Silesia in connection with my application.