Mapping Miguel Covarrubias across Cultures and Disciplines

Authors

DOI:

https://doi.org/10.31261/rias.9990

Keywords:

Miguel Covarrubias, Mexican Muralism, San Francisco International Exposition, Cultural Geography

Abstract

In this paper, I explore the Pageant of the Pacific, a sequence of mural-maps painted by the Mexican artist and illustrator, Miguel Covarrubias, for the San Francisco International Exposition of 1939–1940. By placing these mural-maps within the larger context of cultural geography and Covarrubias’s own theories of comparative anthropology, they offer an artistic and poetic explanation of the relationships found among the cultures of the Pacific Rim, drawing connections across historical epoch and geographical region. Within Covarrubias’s own historical context, these maps provide an important visual link that crosses disciplinary boundaries, providing insight into the intellectual conversation of his era and, perhaps, providing a model for interdisciplinarity in the present age as well.

Author Biography

Nathaniel R. Racine, Texas A&M International University

Nathaniel R. Racine is an assistant professor of English in the Department of Humanities at Texas A&M International University in Laredo, Texas. He holds a PhD in English from Temple University in Philadelphia and a professionally-accredited Master’s degree in Urban Planning from McGill University in Montréal, Canada. In 2018–2019 he was a Fulbright Postdoctoral Scholar to Mexico. His recent work draws from the fields of geography and urbanism to understand the cultural exchange between the US and Mexico from the interwar period through midcentury.

References

Covarrubias, Miguel. The Eagle, the Jaguar, and the Serpent: Indian Art of the Americas: North America: Alaska, Canada, the United States. Alfred A. Knopf, 1954.

Covarrubias, Miguel. Indian Art of Mexico and Central America. Alfred A. Knopf, 1957.

Covarrubias, Miguel. Island of Bali [1936, 1937]. Alfred A. Knopf, 1942.

Covarrubias, Miguel. Mexico South: The Isthmus of Tehuantepec. Alfred A. Knopf, 1946.

Covarrubias, Miguel. Pageant of the Pacific. Pacific House, 1940.

Fishkin, Shelly Fisher. “Crossroads of Cultures: The Transnational Turn in American Studies—Presidential Address to the American Studies Association, November 12, 2004.” American Quarterly, vol. 57, no.1, pp. 17-57. doi: 10.1353/aq.2005.0004

Folgarait, Leonard. Mural Painting and Social Revolution in Mexico, 1920-1940: Art of the New Order. Cambridge UP, 1998.

Jackson, Joseph Henry. A Trip to the San Francisco Exposition with Bobby and Betty. Robert M. McBride and Company, 1939.

James, Jack and Earle Voland. Treasure Island, “The Magic City,” 1939-1940; The Story of the Golden Gate International Exposition. Pisani Printing and Publishing Company, 1941.

Lutkehause, Nancy C. “Miguel Covarrubias and the Pageant of the Pacific: The Golden Gate International Exposition and the Idea of the Transpacific, 1939-1940.” Transpacific Studies: Framing an Emerging Field. U of Hawaii P, 2014, pp. 109-133.

López-Casillas, Mercurio, Selva Hernández and Adriana Williams. “Geografía de un ilustrador/ Geography of an Illustrator.” Miguel Covarrubias: Cuatro miradas/ Four Visions. Trans. Gregory Dechant and Sandra Luna. CONACULTA, 2005, pp. 17-101.

Meinig, D. W. “Geography as an Art.” Transactions of the Institute of British Geographers, vol. 8, no. 3, 1983, pp. 314-328. doi: 10.2307/622047

Parsons, James J. “Carl Ortwin Sauer, 1889-1975.” Carl Sauer on Culture and Landscepe. Ed. William M. Denevan and Kent Mathewson. Louisiana State UP, 2009 pp. 3-8.

Porter, Carolyn. “What We Know We Don’t Know: Remapping American Literary Studies.” American Literary History, vol. 6, no. 3, 1994, pp. 467-526.

Reeves, E. A. “Van der Grinten’s Projection.” The Geographical Journal, vol. 24, no. 6, 1904, pp. 670-672. doi: 10.2307/1776259

Sauer, Carl Ortwin. “The Morphology of Landscape.” Land and Life: A Selection from the Writings of Carl Ortwin Sauer. Ed. John Leighly. U of California P, 1969, pp. 315-350.

Smith, Roberta. “What to See in New York Art Galleries this Week: Miguel Covarrubias.” Review of “Miguel Covarrubias: A Retrospective.” The New York Times 07 February 2019, p. C23. https://www.nytimes.com/2019/02/07/arts/design/what-to-see-in-new-york-art-galleries-this-week.html

Steinbeck, John and E. F. Ricketts. The Log from the Sea of Cortez. Penguin, 1995.

Walls, Laura Dassow. “Literature, Geography, and the Spaces of Interdisciplinarity.” American Literary History, vol. 23, no. 4, 2011, pp. 860-872.

https://muse-jhu-edu.tamiu.idm.oclc.org/article/458514

Walsh, Rebecca. The Geopoetics of Modernism. UP of Florida, 2015.

Williams, Adriana. Covarrubias. Ed. Doris Ober. Austin: U of Texas P, 1994.

Youtz, Philip N. Letter to Miguel Covarrubias. 07 June 1938. Archivero 5/6; Cajon 3/3; Carpeta 475, “Pacific House - General,” Doc. No. 25146. Archivo Miguel Covarrubias; Sala de Archivo y Colecciones Especialies (SACE) de la UDLAP. Universidad de las Américas Puebla. Cholula, Pue., México. February 2019.

Published

2020-12-31

How to Cite

Racine, N. R. (2020). Mapping Miguel Covarrubias across Cultures and Disciplines. Review of International American Studies, 13(2), 159–183. https://doi.org/10.31261/rias.9990