Happy Gardens of Childhood Literary Portrayals of Garden Space in James Matthew Barrie’s Novel Peter Pan in Kensington Gardens
Keywords:
park, Peter Pan, James Matthew Barrie, Kensington Gardens, locus, amoenusAbstract
It is impossible to imagine London without its royal parks. One of the most beautiful among them is Kensington Gardens, forever connected with the figure of a boy who didn’t want to grow up: Peter Pan. This article provides an interpretation of James Matthew Barrie’s novel Peter Pan in Kensington Gardens (1906), centred mainly around literary portrayals of garden space, which becomes an embodiment of the paradise of childhood: Arcadia, a pleasant place, locus amoenus, allowing one to exist beyond evanescence, growing up and sadness. Kensington Gardens are London’s green island, primeval Neverland, where the fairy-tale and the magic are rooted: during a day it creates a playing space for “human children,” whereas at night it goes under the rule of Queen Mab and mysterious fairies. The outline of various interpretation paths which can be followed in Kensington Gardens are accompanied by the reproductions and analyses of Arthur Rackham’s illustrations, which in an outstanding way capture the whimsical genius of the author of Peter Pan.
References
Barrie James Matthew, 1902: The Little White Bird; or, Adventures in Kensington Gardens. London: Hodder and Stoughton.
Barrie James Matthew, 1906: Peter Pan in Kensington Gardens. London: Hodder and Stoughton.
Barrie James Matthew, 1912: Peter Pan in Kensington Gardens. Illustrated by Arthur Rackham. New York: Charles Scribner’s Sons.
Barrie James Matthew, 2006: Piotruś Pan i Wendy. Przeł. Michał Rusinek. Il. Joanna Rusinek. Kraków: Znak.
Barrie James Matthew, 2011a: The Annotated Peter Pan. Edited with introduction and notes by Maria Tatar. [The Centennial Edition]. New York–London: W.W. Norton.
Barrie James Matthew, 2011b: Preface to „The Coral Island” 1913. In: Idem: Peter Pan. Ed. Anne Hiebert Alton. Toronto: Broadview Press.
Carpenter Humphrey, 1987: Secret Gardens. A Study of the Golden Age of Children’s Literature. London–Sydney: Allen & Unwin.
A Collection of Poems..., 1763: A Collection of Poems in Six Volumes. By Several Hands. Vol. 1. London. http://www.eighteenthcenturypoetry.org/works/o5152-w0080.shtml [accessed: 5.02.2018].
Green Roger Lancelyn, 1960: J.M. Barrie. London: The Bodley Head.
Pelc Jerzy, 1997: Ogrody jako miejsca szczęśliwe, XVI–XVII w. „Barok” [red. Jerzy Pelc, Aleksandra Rodzińska-Chojnowska], T. 4, nr 1.
Tatar Maria, 2011a: Arthur Rackham and „Peter Pan in Kensington Gardens”. A Biography of the Artist. In: James Matthew Barrie: The Annotated Peter Pan. Edited with introduction and notes by Maria Tatar. [The Centennial Edition]. New York–London: W.W. Norton.
Tatar Maria, 2011b: Arthur Rackham’s Illustrations to „Peter Pan in Kensington Gardens”. In: James Matthew Barrie: The Annotated Peter Pan. Edited with introduction and notes by Maria Tatar. [The Centennial Edition]. New York–London: W.W. Norton.
Tatar Maria, 2011c: A Note from the Author about „Peter Pan” and J.M. Barrie. In: James Matthew Barrie: The Annotated Peter Pan. Edited with introduction and notes by Maria Tatar. [The Centennial Edition]. New York–London: W.W. Norton.
Wullschläger Jackie, 1995: Inventing Wonderland. The Lives and Fantasies of Lewis Carroll, Edward Lear, J.M. Barrie, Kenneth Grahame and A.A. Milne. London: Methuen.
Downloads
Published
How to Cite
Issue
Section
License
The Copyright Owners of the submitted texts grant the Reader the right to use the pdf documents under the provisions of the Creative Commons 4.0 International License: Attribution-Share-Alike (CC BY-SA). The user can copy and redistribute the material in any medium or format and remix, transform, and build upon the material for any purpose.
1. License
The University of Silesia Press provides immediate open access to journal’s content under the Creative Commons BY-SA 4.0 license (http://creativecommons.org/licenses/by-sa/4.0/). Authors who publish with this journal retain all copyrights and agree to the terms of the above-mentioned CC BY-SA 4.0 license.
2. Author’s Warranties
The author warrants that the article is original, written by stated author/s, has not been published before, contains no unlawful statements, does not infringe the rights of others, is subject to copyright that is vested exclusively in the author and free of any third party rights, and that any necessary written permissions to quote from other sources have been obtained by the author/s.
If the article contains illustrative material (drawings, photos, graphs, maps), the author declares that the said works are of his authorship, they do not infringe the rights of the third party (including personal rights, i.a. the authorization to reproduce physical likeness) and the author holds exclusive proprietary copyrights. The author publishes the above works as part of the article under the licence "Creative Commons Attribution-ShareAlike 4.0 International".
ATTENTION! When the legal situation of the illustrative material has not been determined and the necessary consent has not been granted by the proprietary copyrights holders, the submitted material will not be accepted for editorial process. At the same time the author takes full responsibility for providing false data (this also regards covering the costs incurred by the University of Silesia Press and financial claims of the third party).
3. User Rights
Under the CC BY-SA 4.0 license, the users are free to share (copy, distribute and transmit the contribution) and adapt (remix, transform, and build upon the material) the article for any purpose, provided they attribute the contribution in the manner specified by the author or licensor.
4. Co-Authorship
If the article was prepared jointly with other authors, the signatory of this form warrants that he/she has been authorized by all co-authors to sign this agreement on their behalf, and agrees to inform his/her co-authors of the terms of this agreement.
I hereby declare that in the event of withdrawal of the text from the publishing process or submitting it to another publisher without agreement from the editorial office, I agree to cover all costs incurred by the University of Silesia in connection with my application.