Rwanda of Jean Hatzfeld’s Reportages – Read through Variously Formulated Definitions of Genocide
DOI:
https://doi.org/10.31261/NoZ.2020.06.15Keywords:
Rwanda, genocide, Jean Hatzfeld, reportage, narrationAbstract
The present essay reflects upon the outstanding, from the reporter’s craft point of view, and unprecedented when it comes to empathy (which sometimes borders on European, colonial
complicity) books by Jean Hatzfeld (born 1949), which consist of five volumes on Rwanda: Dans le nu de la vie. Récits des marais rwandais (2000), Une saison de machettes (2002), La stratégie des antilopes: récits (2007), Engelbert des collines (2014), Un papa de sang (2015).
Various definitions of genocide (starting with the notion itself, authored by criminal lawyer, a Polish Jew Rafał Lemkin (1900–1959)), that were also formulated ad hoc in works of art (the
case of a feature film by Joanna Kos-Krauze and Krzysztof Krauze Ptaki śpiewają w Kigali [Birds Are Singing in Kigali]) prove to be a kind of Ariadne’s thread.
Embedding Hatzfeld’s reportages in the context of the notion of genocide aims at broadening the field of associations for both, the narrator himself and his Rwandan interlocutors, who
sporadically and comparatively/by way of comparison refer to the Shoah.
References
Białoszewski M.: „Oho” i inne wiersze opublikowane po 1980 roku. Warszawa 2000.
Hatzfeld J.: Engelbert z rwandyjskich wzgórz. Przeł. J. Giszczak. Wołowiec 2015.
Hatzfeld J.: Nagość życia. Opowieści z bagien Rwandy. Przeł. J. Giszczak. Wołowiec 2011.
Hatzfeld J.: Sezon maczet. Przeł. J. Giszczak. Wołowiec 2012.
Hatzfeld J.: Strategia antylop. Przeł. J. Giszczak. Wstęp O. Stanisławska. Wołowiec 2012.
Hatzfeld J.: Więzy krwi. Przeł. J. Giszczak. Wołowiec 2017.
Hueckel M., Śliwiński T.: Notatki z podróży. Ruanda. W: Kulturowe wymiary ludobójstwa. Red. R.F. Muniak. Łódź 2012, s. 101–133.
Kowalczyk I.: Estetyzowanie Holocaustu? „Artmix” 2008, nr 18 (8). Dostępne w Internecie: http://www.obieg.pl/artmix/4139 [data dostępu: 20.06.2020].
Kuczyńska-Koschany K.: Blizny po bliźnim, blizny po sobie samym w poezji Ryszarda Krynickiego. W: K. Kuczyńska-Koschany: Interlinie w ciemności. Jednak interpretacja. Kraków 2012, s. 15–29.
Lang B.: Nazistowskie ludobójstwo. Akt i idea. Przeł. A. Ziębińska-Witek. Lublin 2006.
Miłosz C.: Biedny chrześcijanin patrzy na getto. W: C. Miłosz: Wiersze wszystkie. Kraków 2011, s. 211.
Roszman A.: Literacka poetyzacja obrazu ludobójstwa w Ruandzie (na przykładzie reportaży Jeana Hatzfelda). W: Kulturowe wymiary ludobójstwa. Red. R.F. Muniak. Łódź 2012, s. 135–148.
Różewicz T.: Ocalony. W: T. Różewicz: Utwory zebrane. T. 7: Poezja 1. Wrocław 2005, s. 21.
Downloads
Published
How to Cite
Issue
Section
License
The Copyright Owners of the submitted texts grant the Reader the right to use the pdf documents under the provisions of the Creative Commons 4.0 International License: Attribution-Share-Alike (CC BY-SA). The user can copy and redistribute the material in any medium or format and remix, transform, and build upon the material for any purpose.
1. License
The University of Silesia Press provides immediate open access to journal’s content under the Creative Commons BY-SA 4.0 license (http://creativecommons.org/licenses/by-sa/4.0/). Authors who publish with this journal retain all copyrights and agree to the terms of the above-mentioned CC BY-SA 4.0 license.
2. Author’s Warranties
The author warrants that the article is original, written by stated author/s, has not been published before, contains no unlawful statements, does not infringe the rights of others, is subject to copyright that is vested exclusively in the author and free of any third party rights, and that any necessary written permissions to quote from other sources have been obtained by the author/s.
If the article contains illustrative material (drawings, photos, graphs, maps), the author declares that the said works are of his authorship, they do not infringe the rights of the third party (including personal rights, i.a. the authorization to reproduce physical likeness) and the author holds exclusive proprietary copyrights. The author publishes the above works as part of the article under the licence "Creative Commons Attribution-ShareAlike 4.0 International".
ATTENTION! When the legal situation of the illustrative material has not been determined and the necessary consent has not been granted by the proprietary copyrights holders, the submitted material will not be accepted for editorial process. At the same time the author takes full responsibility for providing false data (this also regards covering the costs incurred by the University of Silesia Press and financial claims of the third party).
3. User Rights
Under the CC BY-SA 4.0 license, the users are free to share (copy, distribute and transmit the contribution) and adapt (remix, transform, and build upon the material) the article for any purpose, provided they attribute the contribution in the manner specified by the author or licensor.
4. Co-Authorship
If the article was prepared jointly with other authors, the signatory of this form warrants that he/she has been authorized by all co-authors to sign this agreement on their behalf, and agrees to inform his/her co-authors of the terms of this agreement.
I hereby declare that in the event of withdrawal of the text from the publishing process or submitting it to another publisher without agreement from the editorial office, I agree to cover all costs incurred by the University of Silesia in connection with my application.