Izraelczycy spoglądają na Polaków przez obiektyw kamery filmowej

Authors

DOI:

https://doi.org/10.31261/NoZ.2018.04.08

Keywords:

Holocaust survivors in Israeli films, Holocaust in Israeli cinema, Polish-Jewish relations during Second World War

Abstract

There is already wide range of studies that aim at understanding the different ways in which the Holocaust is presenting in Israeli cinema. Although these studies present wide spectrum of themes, processes and points of view regarding this issue, this rich corpus of research does not include references to the various ways in which Polish-Jewish relations are portrayed in Israeli films. This article is interesting to open scholarly discussion on the ways in which Jewish-Polish relations are presenting in in several documentary and fictional Israeli films: Aba'le Bo La-lonapark (Daddy Come to the Amusement Park), directed by Nitza Gonen in 1995; Spring 1941, directed by Uri Barbash in 2007; Pizza b'Auschwitz (Pizza in Auschwitz) by Mosh Zimmermanh in 2008; Ema shel Valentina (Valentina's Mother), directed by Arik Lubzki and Matti Hararri in 2009; and Hakatayim (Past Life) directed by Avi Nesher in 2016. A discussing  on the perception  of Polish Jewish relations at this collection of films can add an additional angle to the topic of Polish-Jewish relations during and after the Second War World. 

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Published

2018-11-11

How to Cite

Bauer, E. (2018). Izraelczycy spoglądają na Polaków przez obiektyw kamery filmowej. Narracje O Zagładzie [Narrations of the Shoah], (4), 113–137. https://doi.org/10.31261/NoZ.2018.04.08

Issue

No. 4 (2018): Narrations of the Shoah 2018, no. 4: Israeli narrations of the Shoah

Section

Israeli Narrations of the Shoah

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