Poem, or Sculptural Situation On Materiality of Natalia Malek’s Kord
Keywords:
sculpture, materiality, material, concrete poetry, corporalityAbstract
The article is an attempt at providing an interpretation of Natalia Malek’s work Kord in the context of sculpture and materiality. Starting from outlining a definition of a sculpture as a situation and a meeting, the author tries to demonstrate how a poetical language stages the sculptural, departing from the tradition of concrete poetry in favour of openness and potentiality of a poem. The essential contexts for the following argument are both elements of the study of objects and the feminist approach to corporality, which stimulate thinking in terms of the matter and materiality and enable us to interpret Malek’s project as addressing dualisms of Western metaphysics, as well as calling for a different type of reading. The category of “material vision” (de Man) is for the author of the article a point of departure, however, in result, it turns out to be insufficient and gives way to the project of reading understood as a “sculptural situation”.
References
Appadurai Arjun, 2012: W rzeczy samej. Przeł. Jacek Staniszewski. W: Materialność. Red. Krzysztof Gufrański et al. Gdańsk: Instytut Sztuki Wyspa.
de Man Paul, 2000: Ideologia estetyczna. Przeł. Artur Przybysławski. Gdańsk: Słowo/Obraz Terytoria.
Hulme Thomas Ernst, 1954: Romanticism and Classicism. In: Idem: Speculations. London: Routledge.
Hyży Ewa, 2003: Kobieta, ciało, tożsamość. Teorie podmiotu w filozofii feministycznej końca XX wieku. Kraków: TAiWPN Universitas.
Ingold Tim, 2012: Materiały przeciwko materialności. Przeł. Marcin Wawrzyńczak. W: Materialność. Red. Krzysztof Gufrański et al. Gdańsk: Instytut Sztuki Wyspa.
Jameson Fredric, 2007: The Poetics of Totality. In: Idem: The Modernist Papers. New Delhi: ABS Publishers.
Krauss Rosalind, 2011: Oryginalność awangardy i inne mity modernistyczne. Przeł. Monika Szuba. Gdańsk: Słowo/Obraz Terytoria.
Kujawa Dawid, 2017: Podłapać trop hyle. „Mały Format”, nr 10. http://malyformat.com/2017/10/podlapac-trop-hyle/ [dostęp: 4.05.2018].
Malek Natalia, 2017: Kord. Fot. Anna Grzelewska.Poznań: Wydawnictwo Wojewódzkiej Biblioteki Publicznej i Centrum Animacji Kultury – Staromiejski Dom Kultury.
Michaels Walter Benn, 2011: Kształt znaczącego. Od roku 1967 do końca historii. Przeł. Jan Burzyński. Kraków: korporacja ha!art.
Muca Klaudia, 2016: Widoki, ludzie i zdarzenia (Natalia Malek: „Szaber”). „ArtPapier”, nr 5–6. http://artpapier.com/index.php?page=artykul&wydanie=298&artykul=5469&kat=17 [dostęp: 4.05.2018].
Skurtys Jakub, Malek Natalia, 2017: Powiązania. „ArtPapier”, nr 15–16. http://artpapier.com/index.php?page=artykul&wydanie=330&artykul=6314 [dostęp: 4.05.2018].
Szymański Wojciech, 2017: Rzeźba, czyli to, co wydarza się, kiedy się cofasz, aby obejrzeć obraz. „Szum”, nr 15.
Rogowska-Stangret Monika, 2016: Ciało – poza Innością i Tożsamością. Trzy figury ciała w filozofii współczesnej. Gdańsk: Fundacja Terytoria Książki.
Downloads
Published
How to Cite
Issue
Section
License
The Copyright Owners of the submitted texts grant the Reader the right to use the pdf documents under the provisions of the Creative Commons 4.0 International License: Attribution-Share-Alike (CC BY-SA). The user can copy and redistribute the material in any medium or format and remix, transform, and build upon the material for any purpose.
1. License
The University of Silesia Press provides immediate open access to journal’s content under the Creative Commons BY-SA 4.0 license (http://creativecommons.org/licenses/by-sa/4.0/). Authors who publish with this journal retain all copyrights and agree to the terms of the above-mentioned CC BY-SA 4.0 license.
2. Author’s Warranties
The author warrants that the article is original, written by stated author/s, has not been published before, contains no unlawful statements, does not infringe the rights of others, is subject to copyright that is vested exclusively in the author and free of any third party rights, and that any necessary written permissions to quote from other sources have been obtained by the author/s.
If the article contains illustrative material (drawings, photos, graphs, maps), the author declares that the said works are of his authorship, they do not infringe the rights of the third party (including personal rights, i.a. the authorization to reproduce physical likeness) and the author holds exclusive proprietary copyrights. The author publishes the above works as part of the article under the licence "Creative Commons Attribution-ShareAlike 4.0 International".
ATTENTION! When the legal situation of the illustrative material has not been determined and the necessary consent has not been granted by the proprietary copyrights holders, the submitted material will not be accepted for editorial process. At the same time the author takes full responsibility for providing false data (this also regards covering the costs incurred by the University of Silesia Press and financial claims of the third party).
3. User Rights
Under the CC BY-SA 4.0 license, the users are free to share (copy, distribute and transmit the contribution) and adapt (remix, transform, and build upon the material) the article for any purpose, provided they attribute the contribution in the manner specified by the author or licensor.
4. Co-Authorship
If the article was prepared jointly with other authors, the signatory of this form warrants that he/she has been authorized by all co-authors to sign this agreement on their behalf, and agrees to inform his/her co-authors of the terms of this agreement.
I hereby declare that in the event of withdrawal of the text from the publishing process or submitting it to another publisher without agreement from the editorial office, I agree to cover all costs incurred by the University of Silesia in connection with my application.
