Sylwia Chutnik, or, a woman in the city
Keywords:
contemporary Polish prose, feminism, (socially-)engaged literature, urban space, narrative qualities of ballad, Sylwia ChutnikAbstract
The writings of Sylwia Chutnik are mainly interpreted from the two perspectives: gender and urban (Warsaw). These two perspectives are intertwined in her novels, starting from her very first Kieszonkowy atlas kobiet and continuing till her most recent collection of short stories W krainie czarów, thus giving her prose specific, seditious, and emergency character. This article attempts at firstly, showing Chutnik’s writing as a creative (and increasingly interesting, vide Cwaniary) way of developing fundamental beliefs and
problems, narrative and plot structure devices, and literary patterns already used (if only in embryonic form) in the four stories of her first book. Secondly, the article attempts at presenting the literary intertextual background of this prose – exceptionally rich, conscious and… effective.
References
Ballada polska. Oprac. C. Zgorzelski przy współudziale I. Opackiego. Wrocław–Warszawa–Kraków 1962.
Beszterda M.M.: Paszport w jedną stronę? „Kresy” 2009, nr 1–2.
Certeau M. de: Wynaleźć codzienność. Sztuki działania. Tłum. K. ThielJańczuk. Kraków 2008.
Chutnik S.: Co do nas pisze miasto? http://warszawa.gazeta.pl/warszawa/1,34862,16811694,Co_do_nas_pisze_miasto___FELIETON_SYLWII_CHUTNIK_.html?pelna=tak [dostęp: 12.02.2015].
Chutnik S.: Cwaniary. Warszawa 2012.
Chutnik S.: Kieszonkowy atlas kobiet. Kraków 2008.
Chutnik S.: W krainie czarów. Kraków 2014.
Chutnik S.: Warszawa kobiet. Warszawa 2011.
Chutnik S.: Zabawy w pamięć i genderowy model miasta. Próba koncep- tualizacji praktycznej. „Teksty Drugie” 2014, nr 6.
Darska B.: Produkcyjniak społecznie zaangażowany. „Opcje” 2010, nr 1.
Kasperek K.: Ballada o smutnych dresiarach. „FA‐art” 2013, nr 3.
Małochleb P.: Na klatę to wszystko. „Dekada Literacka” 2010, nr 3.
Marzec L.: Dzidzia jako łączniczka. „Czas Kultury” 2010, nr 3.
Mrozik A.: Akuszerki transformacji. Kobiety, literatura i władza w Polsce po 1989 roku. Warszawa 2012.
Słomak I.: Rzecz to niesłychana. „FA‐art” 2008, nr 2–3.
Sobolewska J.: Nie zaznasz tu spokoju. Rozmowa z Sylwią Chutnik. „Polityka” 2009, nr 10.
Sylwia Chutnik – „Zawsze chciałam być Madonną”. „Gala.pl. Ekskluzywny serwis o gwiazdach”. http://www.gala.pl/wywiady‐i‐sylwetki/sylwia‐chutnik‐zawsze‐chcialam‐byc‐madonna‐4620?strona=3 [dostęp: 10.02.2015].
Szponar M.: Torsje porodowe. „Pogranicza” 2010, nr 2.
Szybowicz E.: Pisarka i niepisarka. Kilka uwag o rolach Sylwii Chutnik. „Pogranicza” 2012, nr 2.
Ulica w sukience. Sylwia Chutnik rozmawia z redaktorem „Lampy” o swoim „Kieszonkowym atlasie kobiet” i o polityce historycznej. „Lampa” 2008, nr 5.
Wieczorkiewicz B.: Warszawskie ballady podwórzowe. Pieśni i piosenki warszawskiej ulicy. Oprac. muz. Z. Wiehler. Warszawa 1971.
Downloads
Published
How to Cite
Issue
Section
License
The Copyright Owners of the submitted texts grant the Reader the right to use the pdf documents under the provisions of the Creative Commons 4.0 International License: Attribution-Share-Alike (CC BY-SA). The user can copy and redistribute the material in any medium or format and remix, transform, and build upon the material for any purpose.
1. License
The University of Silesia Press provides immediate open access to journal’s content under the Creative Commons BY-SA 4.0 license (http://creativecommons.org/licenses/by-sa/4.0/). Authors who publish with this journal retain all copyrights and agree to the terms of the above-mentioned CC BY-SA 4.0 license.
2. Author’s Warranties
The author warrants that the article is original, written by stated author/s, has not been published before, contains no unlawful statements, does not infringe the rights of others, is subject to copyright that is vested exclusively in the author and free of any third party rights, and that any necessary written permissions to quote from other sources have been obtained by the author/s.
If the article contains illustrative material (drawings, photos, graphs, maps), the author declares that the said works are of his authorship, they do not infringe the rights of the third party (including personal rights, i.a. the authorization to reproduce physical likeness) and the author holds exclusive proprietary copyrights. The author publishes the above works as part of the article under the licence "Creative Commons Attribution-ShareAlike 4.0 International".
ATTENTION! When the legal situation of the illustrative material has not been determined and the necessary consent has not been granted by the proprietary copyrights holders, the submitted material will not be accepted for editorial process. At the same time the author takes full responsibility for providing false data (this also regards covering the costs incurred by the University of Silesia Press and financial claims of the third party).
3. User Rights
Under the CC BY-SA 4.0 license, the users are free to share (copy, distribute and transmit the contribution) and adapt (remix, transform, and build upon the material) the article for any purpose, provided they attribute the contribution in the manner specified by the author or licensor.
4. Co-Authorship
If the article was prepared jointly with other authors, the signatory of this form warrants that he/she has been authorized by all co-authors to sign this agreement on their behalf, and agrees to inform his/her co-authors of the terms of this agreement.
I hereby declare that in the event of withdrawal of the text from the publishing process or submitting it to another publisher without agreement from the editorial office, I agree to cover all costs incurred by the University of Silesia in connection with my application.